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SCREENINGS & MEANINGS
You say you want a revolution How to Start a Revolution The dictators are never as strong as they tell you they are. The people
are never as weak as they think they are.
We may not all want to change the world, as the Beatles song would have
it, but there's no question that the past year has witnessed some remarkable
revolutionary upheavals in unexpected places and widespread discontent
with the status quo in many others, even if the “occupy” movements
seem to have subsided. The protester was Time magazine's “person
of the year.” In its annual list of “100 top global thinkers,” the
December 2011 issue of Foreign Policy accorded its first 10 places to “the
Arab revolutionaries,” including two who are not Arab but whose
tactics of non-violent resistance to oppression were seen as very much
in evidence in the events of the Arab spring. These seminal figures are Dr. Gene Sharp, an 83-year-old
Boston academic whose 1993 book From Dictatorship to Democracy: A Conceptual
Framework for Liberation has been translated into over 40 languages,
and a Serbian activist heavily influenced by him — Srdja Popovic of CANVAS (Centre
for Applied NonViolent Action and Strategies) — who led the youth
and student uprisings that helped to topple Slobodan Milosevic. Both are featured in How to Start a Revolution (http://howtostartarevolutionfilm.com/), an impressive new documentary by first-time director Ruaridh Arrow. Its main focus is on the life's work of the older man that has been applied in diverse contexts across the globe. Gene Sharp, emeritus professor of political science at the University of Massachusetts, attributes his commitment to non-violence to his religious background. In the early 1950s he did prison time for refusing to serve in the Korean War. At Oxford he studied the example of Gandhi, the subject of an early work to which no less than Albert Einstein wrote an introduction. Sharp describes a “eureka” moment of insight that by identifying the sources of repressive regime's power and legitimacy one could work to remove them without resorting to violence. He went on to conduct research at
Harvard University and in 1973 published The Politics of Nonviolent Action.
In 1983 he established the Albert Einstein Institution (AEI) to promote
this work. In 2009 he was nominated for the Nobel Peace Prize. Sharp's university program on non-violent sanctions attracted an initially
skeptical Vietnam veteran Col. Bob Helvey who was won over by the power
of his ideas. In the late 1980s Helvey began working with the Karen people
and pro-democracy movement in Burma, which looked to Sharp for advice.
Although Sharp claimed no particular knowledge of the country's circumstances
and insists that people must make their own revolutions, he agreed to
put together a generic manual of non-violent strategies and techniques.
This was the origin of From Dictatorship to Democracy (freely available
on the AEI's website: http://www.aeinstein.org/ ), which lists 198 methods
of non-violent struggle. There is nothing soft in its approach, especially as advanced abroad by the colourful blunt-speaking Col. Bob. Sharp who has argued passionately that “non-violent struggle is armed struggle” using different “weapons”; that it is a program to “seize power and deny it to others.” He's
been called the Machiavelli or Clausewitz of non-violence and, although
not a household name, authoritarian regimes have certainly regarded him
as a serious threat. Possession of his book, called a “bomb” in
Russia, has been made illegal. The Iranian regime has portrayed him as
in league with the Bush White House. Venezuela's Hugo Chavez has denounced
him as CIA. The irony is that the AEI is run out of tiny offices in an
old house on a shoestring budget. The only other staff is executive director
Jamila Raqib, a former refugee whose family fled Afghanistan when she
was five. Sharp, the now rather frail octogenarian, shown carefully tending
to his orchids in Arrow's film, is the most gentle unassuming revolutionary
you will ever meet.
CANADIAN PREMIERE — Ruaridh Arrow is photographed at the Canadian premiere in Ottawa of How to Start a Revolution, Oct. 14, 2011. (G. Schmitz photo) Arrow, who has extensive journalistic experience reporting from conflict
zones, expertly combines interviews with Sharp, Raqib, Helvey, Popovic
and other prominent activists with dramatic archival and news footage
of non-violent mass protest. Indeed How to Start a Revolution opens with
scenes of the Egyptian demonstrations filling Cairo's Tahrir Square where
Arrow camped out among them in February 2011. In stirring fashion it
presents seven key lessons for carrying out a non-violent revolution: 1. Plan your strategy. The Chinese students in Tianamen Square in 1989
showed bravery, but improvisation without direction or leadership is
a fatal mistake. Colours, symbols, ridicule can be used to mobilize organized
opposition. 2. Overcome “atomization.” Resisting the regime's efforts
to divide and rule is about “changing the obedience pattern” and
devising collective forms of public protests. (In Serbia people banged
pots and pans during the state television's evening newscast.) 3. Undermine pillars of support. For example, instead of throwing stones
at police and security forces, attempt to co-opt them to come over to
the people's side. 4. Resist violence. Have disciplined tactics (“put girls and grandmas
in front”) for remaining peaceful and avoiding traps set by agents
provocateurs. 5. Political Jiu-Jitsu. Find ways to cause groups within society to withdraw
their co-operation from the regime and to inspire people to active resistance. 6. Overcome fear. Means of collective mass participation can be used
to break the psychology of fear which the regime relies on to enforce
submission. 7. Don't give up. In the words of Col. Helvey: “As
long as we don't surrender we haven't lost.” This last may be the most important message of all. The
film follows a Syrian activist who makes a pilgrimage to Boston to ask
Sharp's advice. He relates how the regime's opponents are using secret
cameras all over the country to upload images and video to satellite
— to transmit the actuality of resistance and repression through Al Jazeera,
websites and social media. “Gene Sharp's ideas are being practiced
on the streets of Syria as we speak now.” In the wake of the initial
Egyptian revolution, Sharp warns against concentrating too much on getting
the ruler to resign (as Mubarak did within 18 days of the mass protests
last February). What is crucial is to remove the regime's supports and
the dictatorship will fall. These comments strike a chord given the persistent power of military
elements of the Mubarak regime. Egypt's democratic revolution in progress
still confronts numerous challenges. Will Syria be able to throw off
dictatorship without descending into civil war as occurred in Libya? One can always find reasons for pessimism. What is more
amazing is how the persistent pursuit of non-violent people power can
sometimes accomplish more than the trillions of dollars spent by the
Pentagon. After a ceasefire with the Karen and the release of political
prisoners, transformational if not revolutionary change may even be coming
to Burma, described as “on
the verge of a breakthrough to democracy” by Aung San Suu Kyi,
General Secretary of the long-suppressed National League for Democracy. The fact that independent films like How to Start a Revolution get made at all - Arrow and his partners largely relied on innovative “crowd funding” through the online platform Kickstarter.com — provides another source of creative inspiration. Arrow and Raqib spoke to an enthusiastic packed house after its Canadian premiere last October during Ottawa's One World Film Festival where it received a special jury award (full disclosure: I was one of three jurors). The word needs to spread so that people everywhere can be exposed to movies like these. Now that would be revolutionary. *I'll be covering the Berlin international film festival Feb. 9-19. Finally arriving in some Canadian theatres are three acclaimed films that premiered there a year ago: Ralph Fiennes' directorial debut Coriolanus, Iranian Asghar Farhadi's A Separation, likely to win the best foreign-language Oscar, and Wim Wenders' dance homage Pina, Germany's submission in that category which instead scored a best documentary nomination. Schmitz is an ambassador member of the Canadian Film Institute. |
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